IN MEMORIAM: Jazz Saxophonist Pharoah Sanders, 81

By Post Staff
Jazz saxophonist Farrell ‘Pharoah’ Sanders, a pioneer of ‘spiritual’ jazz who lived in Oakland for
a time before gaining renown in New York with John Coane’s band in the 1960s, passed away
in Los Angeles on Sept. 24, 2022. He was 81.
“We are devastated to share that Pharoah Sanders has passed away,” family representatives
tweeted Saturday morning. “He died peacefully surrounded by loving family and friends in Los
Angeles earlier this morning. Always and forever the most beautiful human being, may he rest in
peace.”
Tributes like this from on YouTube by nbaccess were seen on social media.
“Pharoah was like John Coane. So soft and tempered in the daily life and human interactions
but incredibly powerful and soulful when he blown this horn…he was a truly Spiritual Man, just
as John. Ornette Coleman famously said that Pharoah is probably ‘the best tenor saxophonist in
the world.’ I don’t think we will hear such kind of artists for a long, long time…RIP Pharoah. Your
music is your true essence and will never die!”
“My beautiful friend passed away this morning. I am so lucky to have known this man, and we
are all blessed to have his art stay with us forever. Thank you, Pharoah,” said San Shepard,
whose stage name is Floating Points.
“A visionary amongst visionaries. Pharaoh forever.” Thurston Moore Tweeted.
Born in Little Rock, Ark., on Oct. 13, 1940, Sanders showed early aptitude for music, playing
several instruments including drums and clarinet before he settled on the tenor sax in high
school.
“I was always trying to figure out what I wanted to do as a career. What I really wanted to do
was play the saxophone — that was one of the instruments that I really loved,” Sanders told The
New Yorker. “I would rent the school saxophone. You could rent it every day if you wanted to. It
wasn’t a great horn. It was sort of beat-up and out of condition.”
Nevertheless, Sanders played in Little Rock’s Black clubs and sometimes from behind curtains
at white venues in the segregated city. At 19, he moved to Oakland and attended Oakland City
College while collaborating with local jazz greats including Dewey Redman and Sonny
Simmons.
“I never owned a saxophone until I finished high school and went to Oakland, California. I had a
clarinet, and so I traded that for a new silver tenor saxophone, and that got me started playing
the tenor.”
John Handy encouraged his talent, advising him to move to New York, which he did in 1961.
There Sanders was often homeless, pawning his horn and sleeping on the subways before he
recorded his first album in 1964. He eventually got the attention of John Coane and joined his
band in 1965.

According to Sanders’ web site, “(Coane and Sanders) music represents a near total desertion
of traditional jazz concepts, like swing and functional harmony, in favor of a teeming, irregularly
structured, organic mixture of sound for sound’s sake.”
“Sanders has consistently had bands that could not only create a lyrical near-mystical Afro-
Eastern world,” wrote one champion, the late poet-critic Amiri Baraka, “but [also] sweat hot fire
music in continuing display of the so-called ‘energy music’ of the ‘60s.”
Exploring spiritual jazz — which Coane had begun to do before his death in 1967 — Sanders
would go on to play with, Alice Coane, Ornette Coleman and Sun Ra. It was Sun Ra who
supposedly suggested Sanders change his given name from ‘Farrell’ to ‘Pharoah.’
In 1969, Sanders recorded the album “Karma,” featuring “The Creator Has a Master Plan.”
It was his most renowned work, but Sanders was comfortable moving in and out of genres. He
earned a Grammy for his 1987 album with the pianist McCoy Tyner called “Blues for Coane.”
A decade earlier, he recorded with singer Phyllis Hyman in what could be called the pop 1977
album “Love Will Find a Way.”
Sanders would go on to lead and collaborate with jazz musicians here and abroad, record and
tour through the 1990s.
A composition by British electronic music producer Floating Points prompted Sanders to seek
out a collaboration in the 2010s. The album, “Promises,” was recorded with the London
Symphony orchestra in 2019 and released in 2021 to positive reviews.
It was his first album in ten years and his last.
Services for Sanders have not yet been announced.
Sources for this story include The Guardian, YouTube, The Washington Post, The New York
Times, The Los Angeles Times, People magazine, National Public Radio, Facebook and
Pharoah Sanders’ website.
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